We design architecture for all: inclusive, barrier free and participatory


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just a week ago there was nothing on our site but hidden drains and foundations. Then Johnstone Rigging arrived, with their cherry picker and 35ft crane (see previous post for how they negotiated it into the lane!), and ten ton of steel, and within three days we have the structure of our house .We can now stand in the tea drinking space and look across, through the sun room, to the garden. We can imagine how we will run up and down the ramp, and we can stand at our front door. Obviously this still takes a certain amount of imagination (and still needs months of filling in), but for the first time we can really believe that this will be the house where we will live.

steel frame

for the best effect, use photosynth on your iphone or iPad to view these images three-dimensionally


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Our enormous crane left the site this morning: amazing driving with just millimetres to spare in our very tight and bendy lane. They only needed three days to get the whole steel frame erected. Over that time we kept meeting people who could see the crane from their kitchen, sitting room, garden; luckily our house won’t be as prominent on the Portobello skyline (although hopefully just high enough to sneak a sea view).
Steel frame photos to follow tomorrow: we have now been in every room on our ground floor.


this photo was taken from our neighbours’ (konishi gaffney) window, as the crane was being gradually manouvered through the twists and turns of our lane: people have commented that it must have been airlifted in.


People are often amazed that two architects have managed to design a home together, not to mention including their two children in the design process, but I always tell them, it was easy. And it was easy for one reason: we had such a strong brief with a driving reason to build, that every design decision was a delightful realisation of a place that our daughter would be able to use without having to ask for exceptions to be made. So much of her life is frustrated by obstacles in her way; the main ones are physical, environmental, spatial ones, something which as architects we feel ashamed of, but also empowered to do something about. We are in the exceptional position of understanding through our family’s experience what hinders, and knowing, as designers, how to put that right. So when you turn this to the problem of designing a (barrier free) family home it suddenly becomes an enabling process rather than a problem.

Having to think differently around how we use spaces, and how we move around them starts to produce unusual places. I was already interested in how children move around in, and perceive spaces through my PhD research (link), and had often noticed that children will choose to run up a ramp (then often jumping down the stairs if they are on the other side). For our daughter this movement through spaces is just as important, and the way for her to be able to access this experience is by designing a ramp that she can negotiate in her many wheeled vehicles (link bike, 4 wheeler, wheelchair). But once you calculate the ramp needed to climb from a ground floor to a first, it quickly becomes apparent that the ramp will need to do more than just that. So we have designed a ramp which unwraps to connect to a number of different spaces, each of which can be used along the way.

Unfold

By designing the house as spaces arranged around a ramp, we have enabled Greta to join us in a full experience of the spaces of our everyday lives. Whilst many public and private spaces still act as a barrier to her full inclusion, this house provides an environment which she and her friends and family can experience, learn from and enjoy together. Designing all the spaces to work as part of the movement along the ramp, with the ramp as central to the spaces, allows the architecture to develop in a rich spatial unfolding, whilst also enabling us all to use the house together.

Involving the children in the design allows them to explore creatively what they need and what they desire. It also means that their occupation of the spaces once built will become another part of this process.


This is the board we were asked to submit for the exhibition Input and Ideas at the Lighthouse Glasgow, which is part of the Scottish Government consultation on its Architecture Policy. In the end only the photo of Greta designing and Bee’s fimo models of the family made the cut – brilliant for them (I think it’s their first exhibition) but a real shame that there was no sign of the ramp and the design that inclusion had produced – my whole point when asked what should be included in the policy was architecture for all.