We design architecture for all: inclusive, barrier free and participatory


The Ramp House accessible home
You can contact us at:

Chambers Mcmillan
9e Bellfiled Lane
Portobello
Edinburgh EH15 2BL

t - 0131 669 5766
m - 07717131287

chambersmcmillan@icloud.com


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Archive for the ‘The Building of Squirrel Cottage’ Category

Posted on: May 31st, 2016

The Ramp House accessible home

The principle of the ramp house was to design and build a family home for a little girl who is a wheelchair user, where the whole house enables her to lead a barrier free included life. We are often confronted with the physical barriers that the built environment presents; in our own home we were able to design a fully inclusive place; using a ramp to access all levels, provides an equality of space to us all. We have designed spaces along the ramp, connecting both horizontally and vertically, so that the experience of the house changes as it unfolds.

The difference that the ramp makes is in how the spaces are experienced; this is both linear and sectional, and the opportunities to look back or forward into other spaces. The ramp contributes both width and height to each of the different pausing places along the way. As we inhabit the house, we can see how this provides variation, complexity, and flexibility in the everyday use of the house, how many spaces can be used concurrently and how it reaches its potential when it is inhabited: movement around it, by foot or on wheels brings the experience to life.

For us as a family, the design of this house has made a difference to our everyday life: for a child who cannot move around independently, the connectivity of the spaces becomes all the more important. If Greta is in the living room, there are six different spaces that we can be in and move between, and she is still able to see and hear us, and communicate with us. Because of the articulation of the different spaces within the open plan, there are many opportunities for privacy and seclusion whilst still being part of the life of the house.

It was important that our home should be a place belonging to the children as well as to us; to ensure this we included them in the design process; to enable this process we worked mainly with models helping the children to understand how spaces might feel and how they might connect.

It has been crucial to us that we remain in the centre of our community where Greta was born; building this house here has enabled her to remain a loved part of Portobello. Our accessible family home allows her friends to come and play in a built environment designed to enable her to play just like any other eight year old. The wider impact of an inclusive house like this, is that people who come to visit us experience a different way of moving around a house, and understand that accessibility does not need to be about constrictions, but can be a delight.

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Doing Disability Differently: Vals Therme

Last year Doing Disability Differently by Jos Boys was published. My sensory description of Vals Therme, from Greta’s point of view, was included, as well as a critique of our Ramp House. I am now working with Katie Lloyd Thomas on Jos Boy’s follow up reader: our chapter The Ramp House: Building Inclusivity, will explore the planning, building and inhabitation of the ramp house as an ongoing process of inclusivity.

http://www.ribaj.com/intelligence/doing-disability-differently

http://www.architectural-review.com/doing-disability-differently/8668802.article

Thea MacMillan – Experiencing Zumthor

 The way that Zumthor’s spaces are perceived: in Vals Therme, each space has been considered sensorially; the searing heat of the 40° bath reflected by burning red terracotta walls, which change from highly glazed to porous rough at the line where the water laps, contrasted by the cool turquoise water of the central pool and the sharp air rolling down from the surrounding mountains to lie on top of the outdoor pool. Guided by the continuity of the touch of the changing stone in each changing space; offering different sensory experiences, using contrast and heightened touch, hearing, and smell.

Perception: coming into the space from above, the sound is first, then the weight of the leather curtain pushed aside, followed by smell. For anyone disabled who has learnt to use their senses differently to complete pictures, this place offers many different clues. The spatial configuration of open plan and smaller contained spaces and the connections between them, gives a complex aural feedback for the visually impaired to construct the space in their minds.

Movement through the spaces, whilst not supportive of all wheelchair users, with its slow long flat steps, provides added layers of sensory experience for those who can climb them. As this almost offers the inclusive experience of moving through changing space, it seems a missed opportunity not to have a ramp.

Thea McMillan 11/09/13

 

“Ultimately, of course, the aim is redefine what constitutes the normal [] ‘

The principle of the ramp house was to design and build a family home for a little girl who is a wheelchair user, where the whole house enables her to lead a barrier free included life. We are often confronted with the physical barriers that the built environment presents; in our own home we were able to design a fully inclusive place; using a ramp to access all levels, provides an equality of space to us all. We have designed spaces along the ramp, connecting both horizontally and vertically, so that the experience of the house changes as it unfolds.

The difference that the ramp makes is in how the spaces are experienced; this is both linear and sectional, and the opportunities to look back or forward into other spaces. The ramp contributes both width and height to each of the different pausing places along the way. As we inhabit the house, we can see how this provides variation, complexity, and flexibility in the everyday use of the house, how many spaces can be used concurrently and how it reaches its potential when it is inhabited: movement around it, by foot or on wheels brings the experience to life.

For a child who cannot move around independently, the connectivity of the spaces becomes all the more important. If Greta is in the living room, there are six different spaces that we can be in and move between, and she is still able to see and hear us, and communicate with us.’

“here, movement through the space is not separated out as ‘accessible circulation’ but formally interwoven with both how family life is lived, and with the multiple registers through which we engage with the material world simultaneously. Greta is neither a special case nor an unconsidered ‘anyone’: she is just one of the members of the family; as she says herself, ‘I am just a very busy eight year old and like everyone else, I just need a place which allows me to get on with things'” Jos Boys, Doing Disability Differently, Routledge.


Inspirational Design: Scottish Government

Posted on: December 19th, 2013


Good to be included in Scottish Government’s inspirational designs webpage

http://www.scotland.gov.uk/Topics/Built-Environment/AandP/InspirationalDesigns/ProjectType/Singlehouseurban/TheRampHouse

 


one shiny saltire plaque on the wall of the ramp house

Posted on: September 10th, 2013
saltire plaque

saltire plaque

We are delighted to have won a Saltire Housing Award for our Ramp House – it is now shining on the caithness wall at the front door. Here is what Lesley Riddoch, Chair of the Judging Panel said:

“We admired your determination to fit a house round you – not the other way round. You took a pint pot of a site and cleverly built a house just high enough to “borrow” views of all the fabulous gardens around. You created a house with a common way of moving about – not isolating your daughter into lifts and hoists and it works beautifully. Connecting with one another via the ramps inside you also connect directly with the street outside via that lovely wee breakfast window. The whole house breathes confidence in its location, in one another and in your neighbours. Wonderful.”

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a magazine you can’t get in the newsagents

Posted on: August 23rd, 2013

lifestyle ability cover small
Every three months a magazine called life style drops through our letterbox. You can’t buy this in the shops for love nor money, but is sent out to the 400,000 motability car owners. Each issue has at least one story of people who have taken their circumstances and used them to make things more accessible for others as well as themselves. Ian thought that they might want to know about our story so emailed them, and we were interviewed by a lovely journalist who understood our situation through her own experience. Since the magazine came out we have had a number of really lovely comments and enquiries, just reminding us how many people are in similar circumstances to ours, needing inclusive environments designed for them. It seems we are becoming a specialist practice without trying. lifestyle ability 


Wood Awards 2013

Posted on: May 14th, 2013

A nice reminder that the wood awards are still open to submissions: not sure if they included our (already submitted) Ramp House as a challenge (beat this) or as a provocation (this is all we have so far). Either way its a bit of publicity, so we are not complaining. Ian’s entry was written from Greta’s point of view: the touch, sound and smell of the wood being just as important as how it looks: towards a sensory architecture.

Wood Awards Mailshot


Architecture for All

Posted on: May 28th, 2012

ImageArchitecture for All is not just about physical access, but more crucially about inclusion in the whole design.

ImageDesigning spaces which are barrier-free and accessible to everyone, through engaging people in the design process. This should be prioritised because it improves everyone’s experience of the built environment; when people feel included both in the process and in the built result, their involvement ensures meaningful and joyful use.Image

ImageChildren’s different ways of moving through and using spaces shows us that buildings can be thought of differently, and barrier-free design (rather than being seen as an add on) can be at the core of our architecture. This will change the rhythm of use, and the spaces occupied. ImageImagine that most places you went to worked against you moving easily around them, and that every space had been designed with a mobile upright person in mind?

Squirrel Cottage has been designed by a whole family to offer a little girl a supportive environment, not only for her, but for her family and friends too. Realising that an inclusive, barrier-free house is not just about being able to get from one floor to the other, and considering movement around a house in a whole new way offers a richness of experience of spaces that is beneficial to everyone.

Inclusive             Supportive                  Space

Children and their Use of Space

Children’s Participation

Community Involvement